Monday 29 February 2016

Tilte Research and Design-Jess Smith

1.The Dark Knight Rises 


~This title sequence strongly suggests this is a thriller film, due to the use of dark grey's and black colour scheme and the off-screen, dramatic sound which creates an edgy feel. The sequence will appeal to the target audience because its at a fast pace and moves quickly, therefore not boring them.it creates the anticipation that the rest of the film will as fast and action filled as the opening.

~The film title is set in a spaced, dark red font and every letter is a capital(Figure 1). The title is all in the same sharp, large font but the text 'the dark knight' is written in a much bolder font in comparison to 'rises' which is placed below. This suggests that throughout the film there are stand out moments in the overall story line. The text has also been tilted to the right slightly, implying there might be a huge drop in the story line, conforming to the thriller genre. The title has been placed on top of an ice figure that  creates a colour contrast against the black border, black text on the bottom and the dark red film title. This ice is then shown breaking (Figure 2), implying there is a shocking break in the film and the title then animated by being moved up with the ice and is titled to the left (opposite side compared to the first frame when it was tilted to the right of the frame). This works well because it travels with the ice, almost as if it's stuck to it. 

~There are a lot institutional references during the title sequence, such as the film producers which is Warner Brothers and showed their iconic moving houses, name and logo (Figure 3 and 4). However it has all been edited into a black and white colour scheme which conforms to the thriller genre. It then displays the entertainment company Legendary Pictures' logo and name on a black background (Figure 5). Similarly the publishing company DC Comics' logo and name is shown (Figure 6) which is also owned by Warner Brothers. But before the name and logo came up there was a very fast hint that this was a thriller film because they briefly showed a creepy face, causing enigma (Figure 7). All of these companies are then all named again following this in the same white text against a cloudy, black and grey background. But the company name is in a bolder, larger font in comparison to the rest of the text, making sure it stands out more. Shown in Figure 8,9,10 and 11). They then showed who the movie was made by (Figure 12). 

~There is a newspaper shown in the sequence and it has a old fashioned, quilted text on it (Figure 13), suggesting this film is set in past.

~The actors names are included in the title sequence and are all written identically in a large, white font with all capital letters. They have done this because it contrasts well the dark background and they wanted to show their target audience the well known actors they are going to be watching. Shown in Figure 14, 15, 16 and 17.

~The sequence creates a good relationship between the credits and the actual title of the film because they contrast with colours but they match by the having the shaping and size of the font, this mixture works well. The light colours  work well with the dark backgrounds and the darker text also creates a good look with the light moving image of the film. The fact that they've used red, white and black as their main 3 colours it creates that thriller feel to the sequence and is already working well for the genre as a whole because of the way they have spreaded them out. 

~Overall for the whole sequence the sound is non-diegetic. The title and credits are edited well through cuts to the dramatic, tense music and there are no sound bridges. 

~The introduction of the titles are displayed as soon as the sequence begins and before any moving images. The title of the film and the actors are written with moving images behind but this works well because it becomes more interesting, where are the institution names just had a blank screen. They did this order to build the sequence up. 

F1: Initial film title

F2: When the glass breaks

F3
F4
F5

F6
F8

F9

F10

F11 

F12
F13
F16

F14
F15
  • F7

Thursday 25 February 2016

Organisation of footage - Sam McLeish







































The main focus of today was to organise the footage from both shoots. As shown here, we chose which clips we thought that were the best and put a tick by them to shortlist them. After that we created a new bin to put them in so that they're easy to get to when editing. However, we haven't deleted the rest of the footage so that it can be used at a later date if needed. We did the same for the second group of footage. 

Wednesday 24 February 2016

Editing Techniques We Wish To Include-Jess Smith

As a group there are specific things we want to include in our thriller opening. Most of these decisions have made during the process of planning and filming, however there are also idea's we have thought of from the beginning and before the filming started.


For example, we knew as soon as we began planning the scene and started the storyboard we quickly decided that half of the opening would be in black and white, whereas the other half would be in regular colour. We wanted this contrast to emphasise the two different locations that we filmed in and we believe having one scene in black and white will fit with the dream-like, disorientating atmosphere. In addition, the other section of the opening will be in colour which will satisfy viewers eyes with the natural, nature colours that we have in the wooded area from the sky, the tree's and leaves.


Furthermore, we also discussed from the beginning that we didn't want any on screen sound and that there was going to be a voice over for the whole opening with some added Foley sounds, only if they fit well when we start editing each shot.


Throughout filming we then thought of transitions we could use, such as fade, wipe's, cuts and dissolves. overall we all agreed that fade will work well with one half of the opening because it is a slow paced, relaxed scene therefore it keeps that feeling. Whereas for the other hand of it we want it to be fast paced and shocking, therefore we want sharp cuts and possibly quick dissolves between shots.


We knew from the start that we wanted all shots to intertwine with each other because we didn't want two completely separate parts to the opening, although we want a difference between the two, we also would like it to all work together.

Tuesday 16 February 2016

Pictures From Filming In The Woods-Jess Smith

Laura standing in position, ready to be filmed

Maria using the steady cam

Maria using the steady cam

Sam filming using the steady cam

Saturday 13 February 2016

WOOD SCENE - Behind the Scenes - Sam McLeish



Setting the white-balance on the camera.



Instead of using a tripod like we planned, we used a stedicam because it was available. It took a bit of time for us to get used to but it turned out to work in our favour because a tripod would have got extremely muddy due to the rain. However, it did create a little bit of shake but this isn't too much of an issue because it can show to the audience that the character is clearly out of her comfort zone of the hall.


Evaluation of the shoot

Thursday 4 February 2016

HALL SCENE Behind the Scenes - Setting The White Balance by Maria Beardall





We had to do two white balance checks/adjustments as we decided it was more atmospheric if we turned the lights off, therefore the first video is of the first time we changed the white balance and the second time is adjusting it to the lights then being off.

We always set the white balance so we don't get orange or blue toned whites - in this case, as the lights were of, it would have been blue tinged and would'nt have looked correct.

HALL SCENE Behind the Scenes - Backlighting Explained by Maria Beardall

We heavily concentrated on our lighting as the main place we were filming for this scene was opposite a window that obviously held a lot of its own natural lighting - which then means that the inside, where are character would be standing would be dark.

Therefore we used and LED light and reflector to bring some more lighting in to hightlight her face and focus on her in opposed to the outside.

We found our Media tecnician's blog section about lighting very valuable to learn and take away knowledge to apply to our own filming -  http://hhsfmediafilmhelp.blogspot.co.uk/search/label/lighting. 

This was our main 'go to' post on their blog; http://hhsfmediafilmhelp.blogspot.co.uk/search/label/lighting.

Outside the school

Inside the hall


HALL SCENE - Overview of How the Filming Went - Sam McLeish


HALL SCENE - Timelapse - Sam McLeish


HALL SCENE Behind the Scenes - Creating Our Character by Maria Beardall and Jess

We asked Sam's friend Lozza if she would kindly play the role of our main character Eliza. She fortunately accepted.

Before we made her entail everything we wanted Eliza to be like, Lozza was wearing the white dress we asked, ripped black tights, black feather earrings and her hair was unstyled.

Before we styled Lozza

Jess curling Lozza's hair

Adding the eyeshadow


Lozza's hair was curled and she wore gold eyeshadow on her eyelids and under her eyes, almost like an eyeliner. This was done to draw attention to her eyes to emphasise her unsettled feeling. It came out well through the camera lense. We used a gold glitter because I (Jess) already owned it, therefore no extra costs were needed and it worked well with the white dress and also added some colour to the frame. 

She didn't wear her feather earings because they weren't in the costume brief and had curly hair. 

CU of the eyeshadow






HALL SCENE Behind the Scenes - Our Set Up by Maria Beardall and Jess Smith

As you can see in our set up, we had the camera on a tripod (extending the full way out for height purposes) which was almost always centrally opposite to the windows.


We also had our LED panel lights with barn doors to the right of the camera used as a fill light to really give our main character/actress more light on her face for close ups etc.

We also used a reflector to give even more light, which will look natural to the audience, to create more light as she is being back light by the natural light from the windows.

We also used the iphone flashlight for exrtra lighting for one particular scene. We did this because the LED panel light worked really well to light one side of her face, but we wanted to light both sides of her face for a certain shot. Therefore, as she walked towards the camera for this the moving shot I (Jess) pointed the flashlight on the left side of her face whilst Maria walked opposite me with the LED panel. We made sure we walked carefully at the same pace to ensure both sides were equally lit. Although we didn't prepare for using this type of lighting, it worked out very well. 

Setting up
Inside the hall (1)
Inside the hall (2)